27.11.09 / Bollywood / Author: timepasss / Comments: (0)
It looks like it will be another year at least after 3 Idiots and his own home productions Dhobi Ghat and Delhi Belly before Aamir Khan will sign another new film.
Since the release of Ghajini in December 2008, Aamir has not signed on the dotted line for any project. In fact Aamir had decided to take one full year off after Ghajini to rejuvenate himself. After the tough physical and emotional preparation for Ghajini, Aamir just wanted to relax and spend time with his wife and children.
That’s precisely what he has done for the last one year. But now Aamir would be taking one more year off. This next one year would be devoted to putting his three home productions in order.
Says a source, “Aamir had earlier decided to take one year off. But now he has decided to extend his sabbatical by one more year. Filmmakers who have approached him with projects have been told that Aamir intends to take approximately one more year to supervise the post-production and final look of the three films that he has produced in 2009, namely Abhinay Deo’s Delhi Belly, Anushka Rizvi’s The Falling and Aamir’s wife Kiran Rao’s Dhobi Ghat.”
Aamir feels, all three projects need serious fine-tuning and have been delayed because he has been busy finishing and promoting 3 Idiots.
Says the source, “The only way Aamir feels his three productions can be completed and released in 2010 is if he sets aside all his own acting assignments to look into them. So he isn’t signing any films in 2010 either.”
Says the source, “It requires guts to say no to the best roles going around in Bollywood, and at a reported fee of approximately Rs 30 crores per film. But Aamir suffers no security pangs about not signing films. He told a friend he will work at his own pace, no matter what the temptation or provocation to take on extra work may be.”
27.11.09 / Bollywood / Author: timepasss / Comments: (0)
Be forewarned. DE DANA DAN is the most bizarre film from the maharaja of laughathons, Priyadarshan. Not even in your wildest dream you’d think that Priyadarshan would place almost an entire film in a hotel and have its entire cast, comprising of 26 [or is it 27?] characters, most of them weirdos, interacting with each other. Brings back memories of BLAME IT ON THE BELLBOY? May be!
But Priyadarshan needs to be credited for pulling it off. There are times when you laugh hysterically at the most outlandish jokes and situations. There are times when a raised eyebrow or a wide-open jaw makes you break into a guffaw.
Be cautioned. DE DANA DAN is a loud film, with each and every character screaming on top of his/her voice, with the characters shouting, running, even floating and swimming in the end.
But what do you expect in a Priyadarshan film that has a title like DE DANA DAN? The promos never promised path-breaking or thought-provoking cinema that would give birth to debates and discussions. So why look for logic in this one?
DE DANA DAN makes no qualms of narrating a story you haven’t heard before. Here, the story is non-existent and it’s left on Priyadarshan to mix-n-match those two dozen characters and keep the momentum alive for the next 2.45 hours.
DE DANA DAN promises laughter and entertainment and sticks to its promise. This one’s not for the hard-nosed types, but for those who worship escapist cinema. Who want to chuckle, giggle and chortle at those mindless jokes. In short, DE DANA DAN is a pure dhamaal entertainer!
Nitin [Akshay Kumar] is a butler, cook, driver, watchman, gardener to a wealthy female industrialist [Archana Puran Singh] in Singapore. Like any young man, Nitin too dreams of a better life. He desperately wants to become rich and marry the love of his life, Anjali [Katrina Kaif], who supports him financially.
Ram [Suniel Shetty], Nitin’s best friend, also came to Singapore with the dream of striking it rich, but ended up a courier delivery man. He falls for Manpreet [Sameera Reddy], but her high society parents will never approve of marriage, not unless Ram has lots and lots of money.
In the midst of all this is Harbans [Paresh Rawal], a shrewd businessman, who’s looking for ways to multiply his income and avoid his debtors. He decides the best way would be to marry his son [Chunky Pandey] off to a girl whose parents can give him a large dowry. He is introduced to Manpreet’s parents at a function and is impressed by their social status. He introduces himself as a well-established businessman, impresses them and they decide to get Manpreet and Harbans’ son married.
With several factors working against them, Nitin and Ram soon reach a dead end in their relationships. When both receive ultimatums from their girlfriends, they realize that only a life of vice can help them out of their misery. They come up with an audacious plan to kidnap someone important and demand a ransom.
The kidnapping goes awry and both hide at a local hotel while waiting for the ransom money. But misfortune is never far and the kidnapping spirals out of control.
Meanwhile, Manpreet’s wedding reception is being held at the same hotel that Nitin and Ram are hiding in. Soon, they are joined by a motley set of characters including a Chinese Don [Asrani], a hired assassin [Johny Lever], a ACB police inspector [Sharat Saxena], a club dancer [Neha Dhupia], an ambassador [Vikram Gokhale], a young frustrated double crossing wife [Aditi Govitrikar], a letch [Shakti Kapoor], a drunken waiter [Rajpal Yadav] and a dead body nobody wants to check into the hotel.
DE DANA DAN is atypical Priyadarshan film that has the unmistakable stamp all over it. But, at the same time, DE DANA DAN is erratic and uneven – energetic at times, lethargic at places. Also, the culmination to the film is very similar to the director’s earlier works, with the entire cast running helter-skelter.
On the flip side, you miss Akshay’s presence in the second hour. He disappears [gets locked in a cupboard] for at least 20 minutes and the focus, hence, shifts to the other characters. His fans will miss his presence, for sure. Besides, the film tends to get very lengthy towards the second half and overtly verbose too.
Director Priyadarshan is synonymous with comedies and the ace storyteller promises laughter in abundance. Handling so many characters, plus making a film on mistaken identities could be very tough, but the director gets it right. Pritam’s music is alright, while the RDB track, ‘Paisa’, is the pick of the lot. Salim-Sulaiman’s background score is energetic. K. Ahambaram’s cinematography is alright.
The review would be incomplete if one ignored the dialogue writer’s [Jay Master] contribution to the film. The lines are laced with wit and soaked in humour and bring the house down on several occasions.
DE DANA DAN has so many characters that it gets difficult to pinpoint or single out any one actor. Akshay is at his best in a Priyadarshan film and DE DANA DAN proves it. Suniel is natural to the core. Paresh is incredible; he pitches in a superb act. Katrina and Sameera don’t have much to do. Amongst the plethora of actors, Johny Lever, Neha Dhupia, Manoj Joshi, Asrani, Vikram Gokhale and Archana Puransingh deserve special mention.
On the whole, DE DANA DAN is targeted at the masses and it delivers laughter in abundance. Leave your brains behind to enjoy this madcap entertainer!
